Framing Waterfalls 

A Gitzo Story by Aurelie Gonin


Water is perhaps one of the most obvious manifestations of nature's power and beauty. Rivers plunge into cascades, which creates sumptuous landscapes. When photographing these waterfalls, you want to emphasize the movement of the water. To achieve this, it's interesting to play with exposure speed.

If you capture the waterfall at a very high speed, say 1/1000 of a second, you'll freeze the drops of water in flight. On the other hand, if you go down to a much slower speed, you'll be able to draw the path of the water and show its movements and swirls. This generally creates a more impressive effect.

To achieve this, it's essential to have two accessories: a tripod, so you don't move while shooting at low speed, and a neutral filter, so you can expose the sensor for longer without overexposing the image. Indeed, even if you reduce the ISO sensitivity to the maximum, often to ISO 64 or 100, and close the diaphragm as far as possible, to a value of 16 or 32, you can't go down to speeds close to one second without getting too much light and creating an overexposed photo, as the waterfalls are outdoors in very bright environments.

By adding a neutral filter (ND32 or ND64), you can reduce the amount of light entering the lens and use slower shutter speeds. Of course, you'll need to work with manual settings to be able to control the visual appearance.

We often choose speeds of around one or two seconds, which transform the water drops into a uniform stream. Sometimes, however, it's preferable to use half a second, to bring out interesting torrent movements. This depends on the location, the flow of water and the relief of the torrent. It's a good idea to experiment with different speeds, to choose the effect that best highlights the waterfall.

This is the advantage of digital photography, which allows you to take as many photos as you like, and instantly visualize the result in the viewfinder or on the screen. The water's movements are constantly changing, and even with the same settings you can obtain different effects, so don't hesitate to take lots of images. 

Thanks to the tripod, you can also choose to put yourself in the picture, to give a scale of the place, by using the timer or the timelapse function. The only challenge will be to stand still for the duration of the exposure.

Iceland is a country renowned for its volcanic landscapes and numerous waterfalls. To travel there light and access all the sites I wanted to photograph, I took along a Nikon Z8 with the versatile 24-120mm S f/4. I added an ND32 filter on the lens and mounted the whole thing on The Traveler tripod with ball heads series 1, which is so compact and lightweight that it's easy to take on trips. I was thus able to have the pleasure of photographing these sumptuous landscapes, paying homage to the beauty of water and nature.

Aurelie's gear


To bring out the best in your wildlife photography expeditions, choosing the perfect equipment is crucial.   

GK1545T 82TQD closed GK1545T-82TQDUS

Gitzo tripod kit Traveler, series 1, 4 sections

Weight 3.2 lbs
Maximum Height 64.37 in
Closed Length 16.73 in
Head Type Ball Head
Safety Payload UNI/PdR 105:2021 22.05 lbs
Maximum Height (with Center Column Down) 55.31 in
Base Diameter 1.38 in
Bubble Spirit Level (No.) 1
Carrying Bag Included none
Center Column rapid
Upper Disc Diameter 1.38 in
Color Noir Decor
Leg Sections 4
Top Attachment 1/4″ screw
Base Type 1.26 in
Easy Link No
Friction Control No
Front Tilt -90° / +40°
Min Height 12.76 in
Independent Pan Lock yes
Ball Locking Yes
Independent Tilt Lock yes
Lateral Tilt -90° / +40°
Leg Type Single
Leg Angles 25°, 70°
Leg Lock Type Twist Lock
Legs Tube Diameter 0.58- 0.72- 0.85- 1 in
Material Carbon Fiber
Maximum Working Temperature 140 °F
Minimum Working Temperature -22 °F
Pan Drag NONE
Panoramic Rotation 360 °
Plate Type GS5370SD
Quick Release Yes
Series 1
Tilt Drag NONE